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与以往的喜剧类电视节目有所不同,《欢乐喜剧人》在语言风格的突破和创新上,引来了诸多业内人士的关注和热议。节目不仅丰富了以往小品类电视节目的舞台表现内容,更促进了小品艺术对于现实主义的解构与深入,同时也将相声这一传统“语言包袱”式的艺术形式带进了观众视野。此档节目不仅打破了传统小品类电视节目的叙事模式,更赋予了小品艺术时代性的特征,这无疑是当下小品艺术创新发展颇具代表性的节目之一。
Different from the previous comedy TV shows, “Happy Comedian” has attracted the attention and heated discussions of many people in the language style breakthrough and innovation. The program has not only enriched the stage performance of past TV programs, but also promoted the deconstruction and deepening of realism in the art of skimming. At the same time, it brought the traditional “language baggage” art form of comic dialogue into the audience’s field of vision. This program not only breaks the narrative mode of the traditional small-type television programs, but also gives the characteristics of the era of sketch art, which is undoubtedly one of the representative programs for the present-day creative art innovation.