在艺术发展史上,“学院派”是保守派的代名词。它内容上闭门造车、脱离生活,重复描写历史、宗教题材;表现形式上因循守旧,反对美学革新,只讲继承传统。它对于艺术现代化观念和技法的探索,常常视为异端邪说。中国电影的“学院派”与此毫无相同之处,他们崛起于我国社会主义新时期,沐浴着 In the history of art, “academic” is synonymous with conservatives. It is content behind closed doors, out of life, repeated description of historical and religious themes; manifestations of obedience to the old, opposed to aesthetic innovation, only to inherit the tradition. Its exploration of the ideas and techniques of artistic modernization is often regarded as heresy. The “academic” of Chinese films has nothing in common with them. They rise in the new period of socialism in our country and bathe