论文部分内容阅读
我认识于伶同志比较晚,从1943年到1945年,三年间我们都在重庆,虽然读了他的剧本,但无缘得见。他那时早已是戏剧界重要领导人之一,我还是一个青年戏剧工作者,又不在一个剧团。一直到1946年6月间我们才在上海见面,到现在整整46年了。我同于伶同志相识之前,有过一次我至今对他深感歉然的接触。于伶同志1945年秋由重庆回到上海,立即恢复上海剧艺社,于1946年二、三月间开始演出。那时话剧处境极为艰难,于传同志为维持上海剧艺社,东奔西走,花尽心血,物质条件自然很差,但我那时却听到一些传闻,说上海剧艺社演出草率,以致有社外演员不愿应邀去参加上艺演出。我就象
I know more late Ling comrades, from 1943 to 1945, three years we are all in Chongqing, although read his script, but no chance of seeing it. He was already one of the major leaders in theater at that time, and I was still a young theater worker and not in a troupe. We did not meet in Shanghai until June 1946, and for exactly 46 years now. Before I acquainted myself with Ling’s comrades, there was a moment of apology that I have touched him so far. Comrade Yu Ling returned to Shanghai in the autumn of 1945 from Chongqing and immediately resumed the Shanghai Theater Society. The performance began in February and March 1946. At that time, the situation in the drama was extremely difficult. In his work, Comrade Chuan Shih kept devoting himself to the maintenance of the Shanghai Theater Arts Society and did his best to save energy. But at that time, I heard some rumors that the Shanghai drama department performed hastyly, As a result, extra-social actors are reluctant to be invited to attend art performances. I like it