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众所周知,叙事戏剧是20世纪重要的西方戏剧流派之一,其代表人物布莱希特的戏剧理论因其鲜明的打破幻觉、突破第四堵墙、制造间离效果、引起批判思想等特点为戏剧史留下了浓墨重彩的一笔。布莱希特的“叙事戏剧”和“陌生化效果”理论向来是我国戏剧界的重要话题,围绕“陌生化效果”对戏曲、话剧表演的讨论从未停止。布莱希特受中国戏曲艺术的影响而提出陌生化效果理论,不仅说明中国戏曲艺术
As we all know, the narrative drama is one of the important Western theater genres in the 20th century. Its representative Brechtian’s drama theory is characterized by its dramatic halting illusion, breaking through the fourth wall, creating effects away from it, and causing critical thinking. History left a touch of color. Brecht’s theory of “narrative drama” and “defamiliarization effect” has always been an important topic in China’s theater industry. The discussion about drama and drama performance has never ceased around the effect of defamiliarization. Brecht by the Chinese opera art and put forward the effect of defamiliarization theory, not only shows the Chinese opera art