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奥利弗·戈尔德史密斯是英国18世纪中叶杰出的散文家、诗人和戏剧家。其欢乐喜剧《委屈求全》,又名《屈身求爱》,一出现便获得了极大的成功,该剧曾多次拍摄成电影,与谢里登的《对手》和《造谣学校》是18世纪创作的戏剧作品中唯一被保存至今而且仍在上演的三部伟大戏剧作品。该文以《屈身求爱》为文本,从语言学角度探讨托尼·兰普金如何违反合作原则而使该剧喜剧效果连连。
Oliver Goldsmith is an eminent essayist, poet and dramatist of England in the mid-eighteenth century. Its merry comedy, “Striving for Queliability,” also known as “courting courtship,” was a success when it appeared. The film has been filmed several times into films, with Sheridan’s Opponent and Slander School dating back to the 18th century The only dramatic works ever created and still in the process of being staged in three great dramas. In this paper, “courtship and courtship” as the text, from the perspective of linguistics to explore how Tony Lampkin violates the principle of cooperation so that the drama comedy effect again and again.