在大众传媒与高新科技的冲击下,中国戏曲的机遇与挑战并存。要如何在夹缝中走出自己科学的发展道路,戏曲界理论者论说纷纭,实践者花样百出。最近,厦门大学戏剧戏曲学专业的师生们就目前的舞台美术大制作、戏剧在大众传媒时代的生存与发展以及“共聚性”心理与戏曲命运的关系等问题,提出了自己的看法。文章虽不乏稚嫩,但自有一种初生牛犊不怕虎的气势。本刊特予刊登。 Under the impact of the mass media and high-tech, the opportunities and challenges of Chinese opera come together. How to get out of their own scientific development path in the cracks, the theory of the opera circles have different opinions, and the practitioners are full of tricks. Recently, teachers and students of drama drama studies at Xiamen University have put forward their own views on the current stage art production, the survival and development of drama in the age of mass media, and the relationship between “cohesiveness” and drama fate . Although there is no lack of immature article, but a newborn calf is not afraid of the momentum of the tiger. This publication is for special publication.