今天,仅仅“真实的影像呈现”已经成为中国电影一个普遍和基本的要求。十年来,“新电影”剥去粉饰和个人表达(所谓先锋、另类)的特质已经有益于所有的中国电影,我们都看见了今天任何一部中国电影都比过去“真实”多了。而在此基础上,电影人将不得不考虑以“真实影像”去表达更多的人的内心和人的想象,去表达导演对现代中国人精神世界的认识。 Today, mere “real image rendering” has become a universal and basic requirement for Chinese films. Over the past decade, “New Movies” has stripped of its whitewash and personal expression (so-called vanguard, alternative) qualities that have benefited all Chinese films, and we have seen that any Chinese movie today is much more “real” than in the past It’s On this basis, filmmakers will have to consider “real images” to express more people’s inner thoughts and people’s imagination and to express the director’s understanding of the spiritual world of modern Chinese.