女性主义已是深入各个文类和艺术形式,遍及世界的文艺思潮。据说在欧洲和美国学院派的电影研究,不谈或不了解女性主义,已到了“无法下笔的地步”,而在文学评论方面,虽然仍只是一个流派,但已“非常成功地扭转整个范围的讨论方式和改变传统的评鉴标准”。华文世界里的女性主义写作,虽然起步较晚,但从张洁的《方舟》(1981)、李昂的《杀夫》(1983),到90年代以来“两岸三地”女作家的你 Feminism is the literary and art trend of thought that has penetrated into various genres and forms of art all over the world. It is said that film studies in European and American academic schools, with or without understanding of feminism, have reached the point of “being unable to write down the pen.” Although literary criticism is still only a genre, it has “succeeded in reversing the whole range of Discuss ways and change the traditional evaluation criteria. ” The feminist writing in the Chinese-speaking world started relatively late, but from Zhang Jie’s “Ark” (1981), Li Ang’s “Suffer” (1983), to the women writers of the “Taiwan, Mainland and Taiwan” since the 1990s