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在如火如荼的绘画收藏背景下,雕塑收藏显得十分冷清。这几年城市雕塑在遭遇无序、低质竞争大冲击之后,许多知名雕塑家选择退出这块变质了的商业拼搏之地,潜心架上雕塑创作。尽管如此,架上雕塑却不像人们所期望的那样随着绘画收藏的兴盛而繁荣。相反,各地雕塑家面临的困境却日益突出。人们所期望的架上雕塑收藏的春天迟迟不肯到来。这是为什么呢?
In full swing in the background of the collection of paintings, sculpture collections seem very deserted. In recent years, urban sculpture in the face of disorder, the impact of low-quality competition, many well-known sculptors have chosen to withdraw from this degenerated commercial hard work, and devote themselves to sculptures. Nevertheless, the sculptures on the shelves are not as prosperous as the one expected. On the contrary, the dilemmas faced by sculptors all over the world have become increasingly prominent. The spring of the sculptured collection of shelves that people have been looking forward to is too late to come. Why is this?