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水彩画作为一个外来画种,在我国的绘画发展历史长河中只不过一百余年时间,便很快步入我国绘画艺术的行列。但是,直至今天,我国水彩画艺术从未形成蓬勃发展之势,从事水彩绘画的人并不多,把它作为终极艺术追求的人更是寥寥,作品也无法与油画、国画等相提并论,这不能不说我国水彩画的现状及发展境况令人担忧。一、“纯水彩”的艺术取向在心理上,人们对水彩画表现出的清新、透明、水色淋漓的审美特性普遍存在一种根深蒂固的“纯水彩”的艺术取向,这种艺术取向已成为当今我国水彩艺术发展而自
As a kind of exotic painting, watercolors only took more than one hundred years in the history of the development of Chinese painting and quickly entered the ranks of Chinese painting art. However, until today, the art of watercolor painting in our country has never been flourishing. There are not many people engaged in watercolor painting. Only a handful of those who pursue it as the ultimate art pursuit can not compare with the works of oil painting and traditional Chinese painting. It is worrisome to say that the status quo and development of watercolor in our country. First, the “pure watercolor ” artistic orientation Psychologically, people appear on the watercolors fresh, transparent, watery aesthetic characteristics of a deeply rooted “pure water ” artistic orientation, this Art orientation has become the development of contemporary watercolor art in our country