日常生活中,面部妆容的转换往往让人在新奇的同时对人们的本质产生了思考。素颜与浓妆的转换仿佛把我们已然了解的纯粹的东西变得模糊不定,过分的浓妆好似让人盖上了一抹淡淡的薄纱,让人摸不清规律,找不到方向。同样的问题在民族民间舞蹈创作中同样适用。在商业化,城市化,现代化的当下,对于舞蹈中素颜与浓妆“度”的转换仍是人们值得探索和思考的重要命题。 In everyday life, the conversion of facial makeup often makes people thinking about the nature of people while being novel. Succulent and makeup conversion seems to have we already know the pure things become vague, excessive makeup seems to make people covered with a touch of light gauze, people can not find out the rules, can not find the direction. The same problem applies equally to folk dance. At the moment of commercialization, urbanization and modernization, the conversion of “degree” in makeup and makeup in dance is still an important proposition worthy of exploration and reflection.