一、求解电影产业的“二元函数”第57届戛纳电影节又引出商业电影和艺术电影的争论。因为戛纳、柏林等电影节已变得越来越现实,不再将商业电影拒之门外。《中国广播影视报》文章认为,由于电影创作者一直有着艺术派和商业派的分歧,因此国际电影节也一度形成商业和艺术的对垒局面。艺术与商业之间的交锋不仅仅在于电影创作和电影节的价值取向等领域,在某种程度上,它也构成了整个电影产业必须去求解的“二元函数”。一方面,电影产业要想做大做强就必须充分激活其商业特质,而另一方面,并不能让商业因素完全凌驾于“艺术”之上,相关产业 I. Solving the “Binary Function” of the Film Industry The 57th Cannes Film Festival leads to a debate over commercial films and art films. Because Cannes, Berlin and other film festivals have become more and more realistic, no longer keep commercial movies away. According to the “China Radio, Film and Television,” the article believes that as the film creators have always had the differences between the art school and the commercial school, the International Film Festival has once again formed a commercial and artistic confrontation. The confrontation between art and commerce is not limited to the fields of filmmaking and the film’s value orientation. To some extent, it also constitutes the “binary function” that must be solved by the entire film industry. On the one hand, in order to become bigger and stronger, the film industry must fully activate its commercial traits, while on the other hand, commercial factors can not be completely above the “art”, and related industries