“我们如何去期待一个以中国传统山水精神为脉络的展览在今天的呈现呢?”位于上海浦东的喜玛拉雅美术馆可以从很多方面震撼你。她有一个很炫的名字,一个能把你的想象带入世界巅峰那片神奇土地的理想和高度;她的外表绝对让你震撼,辗转蜿蜒的外表寻不到一条直线,完全颠覆了建筑艺术中实用和功效的首选要求。日本建筑师矶崎新的设计是以大胆、出奇、创新而闻名业界的,但批评之声指向的也是他作品中超越理性的想象,分散间离的支架机构缺少对空间实用 “How do we look forward to what we see today with an exhibition spanning the spirit of traditional Chinese landscapes?” The Himalayan Art Museum in Pudong, Shanghai, can shake you in many ways. She has a glamorous name, an ideal and height to bring your imagination into the magical land of the world; her outward appearance absolutely shakes you, winding the outward appearance to find a straight line that completely subverts the building The preferred requirements for practical and functional art. Japanese architect Arata Isozaki’s new design is daring, surprising, innovative and famous in the industry, but the criticism is also directed at his works beyond the rational imagination, decentralized scaffolding lack of practical space