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《喜盈门》的故事展现出仪式化的斗争要求,具有道德教谕潜能和社会矫正意义,但“他律的道德”同时也具有强迫性和表演性,道德能量被过度使用,反倒掩盖了公私关系、城乡关系、代际关系等一系列更重要的问题。借助《喜盈门》所提供的故事模型,试图重新进入艺术与生活的混合地带,探讨新时期以来的伦理危机及代际关系重建等问题。
The story of Xiyingmen shows a ritualized struggle demand, which has the potential of enacting morality and the significance of social correction. However, “morality of other disciplines” has both compulsion and performance, and moral energy is overused. On the contrary, Cover up a series of more important issues such as public-private relations, urban-rural relations and intergenerational relations. With the help of the story model provided by “Xiyingmen”, it attempts to re-enter the mixed zone of art and life and explore the ethical crisis and the reconstruction of intergenerational relations since the new era.