李燕蓉的小说关注的是我们身边一群生活单调、内心寂寞,除了无处安放的漂泊灵魂一无所有的人。但她的叙述与目前的“底层叙事”有着实质的不同,“底层叙事”侧重表现底层小人物的苦难,有的作品甚至使用煽情手法只为赚取读者眼泪;而李燕蓉作品的着陆点却是在现实的凡俗人生里,如何通过单薄而实在的努力,在自己略显灰暗的生命底色上,提亮那么一点点,让自己活得好一些、再好一些。 Li Yanrong’s novel focuses on the group of people around us who are monotonous, lonely, and have no place for the wandering soul, nowhere to be found. However, her narrative has a substantial difference from the current “bottom narrative”. “The underlying narrative” focuses on the misery of showing the bottom minor, and some works even use sensational techniques only to earn readers’ tears. The landing of Li Yanrong’s work However, in actual secular life, however, how can we raise a little bit to make ourselves live better and better by making modest and real efforts on the slightly gloomy background of life?