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远在战国时代,古筝就流行于当时的秦国(现在的陕西)境内了,故有“秦筝”之称。在两千多年的流传和发展过程中,秦筝逐渐南移,并打破原音乐创始和流行地区的界限与范围,逐渐跟当地的语言、戏曲、说唱及民间音乐相融合,形成了诸多各具特色风格的流派。传统的筝乐被分为南北两派,但仍可以做更细致的区分,诸如:“真秦之声”的陕西筝、“中州古调”的河南筝、“齐鲁大板”的山东筝、“韩江丝竹”的潮州筝、“汉皋古韵”的客家筝、“武林逸韵”的杭州筝(浙江筝)等。随着人们对古筝了解的不断深化,对古筝的喜爱日益加深,今天学习古筝的人数众多,其中不乏成人学习者。本着为广大乐器爱好者服务的原则,《乐器》杂志特刊载文章,为准备学习和正在学习古筝的朋友介绍常用的弹奏技巧,以期对您的学习有所帮助。
Far in the Warring States period, the guzheng became popular at the time of the Qin State (now Shaanxi) territory, it is “Qin Zheng ” said. During the spread and development of more than two thousand years, Qin Zheng gradually moved southward and broke the boundary and scope of original music creation and popular areas. It gradually merged with the local language, opera, rap and folk music, and formed many Unique style genre. Traditional zheng music is divided into two groups, but still can make more detailed distinction, such as: “The Sound of Qin” Shaanxi Zheng, “Zhongzhou ancient tune” of Henan zheng, “Qilu big board ”Of ShandongZheng, “ HanjiangSizhu ”Chaozhou zheng, “ Han Gao ancient rhyme ”Hakka zheng, “ Wulin Yi Yun ”of Hangzhou zheng (Zhejiang Zheng) and so on. As people continue to deepen their understanding of the zither, deepening their love of the zither, there are many people who study zither today, many of whom are adult learners. In line with the principle of service for the majority of musical instrument enthusiasts, the special issue of “Musical Instruments” magazine contains articles that introduce commonly used playing skills to friends who are preparing to learn and are studying Guzheng, in the hope of helping your study.