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蒋鹏奕的作品以掌控、策划与安排的景致、场景与人物,开发出一片充满离奇景象的领土。他不会因建造自己的梦幻王国而逃避现实,这片魔幻的领土反而满载着他在现实世界中的经历与感受。蒋的作品穿梭于真实与梦幻之间,不禁令人联想到“魔幻现实主义”(Magic Realism)这一艺术流派。“魔幻现实主义”面对“现实”所持的态度,既不是单单去臆造用以回避现实世界—幻想的世界,而是以一种态度,去发现存在于“人与人、人与周围环境之间的神秘关系”(陈黎明,魔幻现实主义新时期中国小说,河北大学出版社,2008,p.12)。“魔幻现实主
Jiang Peng Yi works to control, planning and arrangement of the scenery, scenes and figures, to develop a territory full of bizarre scenes. He will not evade the reality by building his own dream kingdoms, but this magical territory is full of his experiences and feelings in the real world. Chiang’s work is shuttling between reality and fantasy, reminiscent of the genre of Magic Realism. ”Magic realism “ attitude facing ”reality “ is neither merely to make up to avoid the real world - the world of fantasy, but in an attitude to find the existence of ”people, Mysterious relationship between people and the environment “(Chen Liming, magical realism in the new era of Chinese novels, Hebei University Press, 2008, p.12). ”Magic reality