好莱坞在谋求确立其全球文化霸权的动态平衡过程中,一方面的确在世界范围内网罗艺术人才、博采创意元素,另一方面又难免要对为己所用的亚文化资源所蕴含的反叛性质元素予以清洗过滤和重新编码。本文以好莱坞大片《环太平洋》为例,分析美国文化霸权是如何对日本“御宅亚文化”的元素加以收编,从而达成特定的意识形态效果。 In seeking to establish the dynamic equilibrium of its global cultural hegemony, Hollywood, on the one hand, does indeed include artistic talents in the world and draw upon creative elements. On the other hand, it is inevitable that the elements of rebellion contained in sub-cultural resources used by itself must be avoided. To be cleaned filtered and recoded. This article takes the Hollywood blockbuster “Pacific Rim” as an example to analyze how the American cultural hegemony compiles the elements of Japan’s “Royalist Subculture” so as to achieve specific ideological effects.