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中国古典文学创作,特别是诗歌创作的审美从“错彩镂金”到“芙蓉出水”的转变发生在魏晋前后。“错彩镂金”的美强调的是一种富丽堂皇、人工雕琢的美;“芙蓉出水”的美则是清丽、自然、不假雕饰的美。从“错彩镂金”到“芙蓉出水”的转变折射出古人在文学创作中对审美更高层次的追求。
The transformation of Chinese classical literary creation, especially that of poetry, took place before and after the Wei and Jin Dynasties from the “wrong color gold” to “Lotus water”. “The wrong color gold” The beauty emphasizes is a magnificent, artificial beauty carved; “Lotus water ” beauty is elegant, natural, not false carved beauty. The change from “wrong color gold ” to “hibiscus water” reflects the ancients in the literary creation of a higher level of aesthetic pursuit.