在影片《南京!南京!》中,导演陆川尝试了一种崭新的叙述手法,使影片既区别于意识形态至上的传统抗战影片,又不同于好莱坞式商业大片的个人英雄主义基调。其巧妙之处在于,它摆脱了狭隘民族主义的圈套,并且避免了陷入西方中心论的预设价值导向,使情节发展和人物命运在动态的逻辑互补中获得了有理有据的推动力。 In the movie “Nanjing! Nanjing!”, Director Lu Chuan experimented with a new narrative technique that differentiates the film from traditional ideological-supremacy anti-war films and personal heroic sentiments of Hollywood-style commercials. What is clever about this is that it has got rid of the trap of narrow nationalism and avoided the default value orientation that has fallen into Western centralism, giving the plot development and character fate a rational and motivating force in the dynamic logical complementarity.