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看完毕飞宇的《小说课》,我忽然有一种感觉,毕飞宇的《小说课》不就是一本“小说”吗。从2012年开始,毕飞宇在南京大学开设小说课,几年来,小说课已经走出课堂,被登上了文学刊物和大众媒体,毕飞宇似乎在向更加广泛的读者授课,他希望它在更广阔的当代文学中,开创一点儿新的局面。写作30多年,得过鲁迅文学奖、也得过茅盾文学奖,毕飞宇可以说是当代作家中重要的代表人物,而且,他不仅是一个文学创作者,也是一个研究者。就作品而言,他认为:不是主题大作品就好。中国的当代文学研究,一开始是承袭俄国的研究方式,在宏大概念
After reading Feifei’s Novel Class, I suddenly had a feeling that Bi Feiyu’s novel class is not a novel. Since 2012, Bi Feiyu has opened a novel class at Nanjing University. Over the years, the novel class has gone out of class and boarded literary and mass media. Bi Feiyu appears to be teaching a wider audience and hopes that in the wider contemporary Literature, to create a little new situation. Writing more than 30 years, won the Lu Xun Literature Award, also won the Mao Dun Literature Award, Bi Feiyu can be said that contemporary writers in the important representative, and he is not only a literary creator, but also a researcher. In terms of his works, he thinks: It is good not to have a masterpiece. The study of contemporary Chinese literature, from the very beginning, inherited the research methods of Russia in the grand concept