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在徐悲鸿绘画思想及绘画特征正式形成之前,中国人物画中曾有过以素描为基础,或以速写为方法,或将油画及版画的形式等引入中国画的尝试,但是这种尝试不免暴露出急功近利、生搬硬套之弊端,造成中国画中尽是一些不中不西的拙劣模仿,难以做到惟妙惟肖、生动传神。在此背景下,徐悲鸿萌生了新的绘画思想,即从更深的层次考虑中西融合。应该说,徐悲鸿的这种融合极大地促进了中国画的进步和发展,为中国绘画作出了重要的贡献。徐悲鸿是我国近代以来享誉盛名的绘画艺术大师,
Prior to the formal formation of Xu Beihong’s painting ideas and painting features, there had been attempts in Chinese portraits to draw on sketches or sketches, or to introduce the forms of oil painting and printmaking into Chinese painting. However, this kind of attempt inevitably exposed quick success , The shortcomings of the students, causing the Chinese painting is do not parody of the West, it is difficult to be vivid, vivid and vivid. Under this background, Xu Beihong initiated a new painting idea, that is, to consider the integration of Chinese and western cultures from a deeper level. It should be said that this integration of Xu Beihong greatly promoted the progress and development of Chinese painting and made an important contribution to Chinese painting. Xu Beihong is a famous master of painting in modern China.