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随着科学技术的进步和发展,版画艺术创作中的媒介技术发生了巨大的变化。从最早印刷经卷的木刻雕版到当代版画艺术创作中木、石、铜、丝版画以及综合版、独幅版、PS版和数码版画,版画艺术创作的媒介技术随着科技的发展和文化进步变得丰富、新颖、自由。数字技术在后印刷时代广泛应用于版画艺术创作,使得版画的概念、内涵及本体表现语言不断延伸和拓展。本文通过从媒介、技术及观念等方面的分析,探究当代版画艺术的概念和版画本体表现语言的延伸,思考数字时代语境下版画的归属问题。
With the progress and development of science and technology, great changes have taken place in media technology in printmaking art. From the earliest printed woodblock engravings to the contemporary printmaking art, the media technology of wooden, stone, copper, silkscreen and integrated, single, PS and digital prints, and printmaking art has been developed with the development of technology and culture Become rich, novel, free. In the post-printing era, digital technology is widely used in the art of printmaking, making the concepts, connotations and ontology language of printmaking continue to extend and expand. Through the analysis of media, technology and concept, this article explores the concept of contemporary printmaking art and the extension of ontology presentation language in printmaking, and considers the attribution of printmaking in the context of digital age.