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老子哲学、美学是一种立象观道的人生态度。相对于可读(解)的名,老子眷注于一种可静观的象。本文立足于象的本体自觉,揭示古典意象理论尚象特征的价值根源。老子哲学、美学与中国古典意象说之间的关系是一种价值关联而不是理性对应。意象活动中的非理性因素根源于老子哲学、美学价值祈求的影响。在此种影响下,古典意象终于走出认知理性框架,祗向于对境界的瞩目。
Lao Tzu philosophy, aesthetics is a kind of attitude toward life. Relative to the name of readable (solution), I pay attention to a static image. This article bases itself on the ontology consciousness of the image and reveals the value root of the phenomenological characteristics of the classical image theory. The relationship between Lao Zi’s philosophy, aesthetics and Chinese classical imagery is a kind of value rather than rationality. The irrational factors in imagery activities are rooted in the influence of Lao Tzu philosophy and aesthetic value prayer. Under this kind of influence, the classical image finally walked out of the framework of cognitive reason, only to the attention of the realm.