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在王世德先生的四卷本文集业已编成即将付梓之际,王先生嘱我作序。王先生是我的前辈,我倍感荣幸,欣然允命。文艺美学作为一门具有原创性的新兴学科,自上世纪80年代在我国兴起,发展到现在还不到三十年的时间。然而就是在这么短的时间里,经过老中青学者们的不断努力,文艺美学这门学科现已初具规模。多部相关著作的出版、大量美学论文的发表及研究队伍的不断扩大印证了它的发展和壮大。这其中,作为我国文艺美学研究的开创者之一,王先生可谓功不可没。五十年间,他一共出版了六部美学专著,三本文艺评论,并主
At the time when Mr. Wang’s four-volume essay series has been compiled and is about to arrive, Wang asked me to preface. Mr. Wang is my predecessor, I am honored, gladly allowed. Literature and art aesthetics as a new discipline with originality, since the 1980s in our country, the rise to now less than three decades time. However, in such a short period of time, through the constant efforts of the old middle-school scholars, the discipline of literary aesthetics is beginning to take shape. The publication and publication of a number of related books, the publication of a large number of aesthetics papers and the continuous expansion of research teams confirm its development and growth. Among these, as one of the pioneers of the study of aesthetics of literature and art in our country, Mr. Wang can not be denied. In 50 years, he has published a total of six aesthetic monographs, three literary criticism, and the Lord