抗日战争爆发后,国民政府迁都重庆,随着战争时间的延长和人口的剧增,导致重庆物质生活极度匮乏。生活在此的书画家不得不以艺援军、糊口,举办了无以数记的大小展览,并且形成一种“三固定”的展览模式。这种带有商业性质的展览方式,直接导致和促成了后来展览机构和展览经纪人的出现。 After the outbreak of the Anti-Japanese War, the National Government relocated to Chongqing. With the prolongation of the war and the dramatic increase in population, the material life in Chongqing was extremely scarce. Artists and painters living in this area had to hold exhibitions of various sizes and sizes with the help of artists and reinforcements, and formed a “three fixed” exhibition mode. This commercial approach to exhibitions led directly to and led to the emergence of later exhibition agencies and exhibition agents.