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新世纪以来,金韬执导的《长征》(与唐国强联合执导,2001)、《井冈山》(2007)和《红色摇篮》(2010)三部电视剧,对于红色经典与红色记忆再造显现出不可忽视的作用,意义深远。在“以史为鉴、传承精神、尊重人民、追求崇高”①的总的创作原则指导下,三部作品在思想内涵、审美精神、人物塑造与影像风格等方面一以贯之、前后相承,从而构成了有机统一、自成一体的“红军三部曲”。
Since the beginning of the new century, the long March (directed by Tang Guoqiang, 2001), Jinggangshan (2007) and the Red Cradle (2010) drafted by Jin Tao have shown great influence on red classics and red memory rebuilding The role of far-reaching significance. Guided by the general principle of creation of “taking history as reference, inheriting spirits, respecting the people and pursuing lofty”, the three works are consistent in their connotation, aesthetic spirit, characterization and image style, and they form the Organic unity, self-contained “Red Army Trilogy ”.