论文部分内容阅读
随着当代绘画基本模式的形成,在教学上对传统理念及方法进行相应的调整,已经事在必行。目前,在美术院校的油画教学模式基本上还是写生。在理念上也基本研习了西方印象派时期表现自然的色彩理论和训练方法,比较强调光源色与环境色对物体“固有色”的影响。通过这样的研究,可以清楚地认识客观物象呈现给我们的色彩关系,并在写生中生动地表达事物的自然形态。无疑在以往的实践中,有许多出色的油画家出自这种训
With the formation of the basic model of contemporary painting, it is imperative to make corresponding adjustments to the traditional concepts and methods in teaching. At present, the oil painting teaching mode in art academies is still sketch. In theory, I basically studied the color theory and training method of expressing the nature during the Western Impressionism, and emphasized the influence of light source color and environment color on the object “intrinsic color ”. Through such a study, we can clearly understand the color relations that objective images present to us and vividly express the natural forms of things in sketch writing. No doubt in the past practice, there are many excellent painters from this training