一第一次见到王妹英是在《福满山》的研讨会上,这部长篇小说有些“横空出世”的意思,因为此前,我对于王妹英的创作并不熟悉,后来了解到她写得不少,早期有一篇《小土屋》,还有《冬日的阳光》《山地世家》,而且发表时她的年纪也就二十出头,只是我读之甚少,孤陋寡闻罢了。《福满山》是我读王妹英小说的第一部,这部小说的动人之处在于两点,我在那次研讨会上也表达了同样的感受,第一,陕西作家的长篇小说是颇见功力的,而且其提供的视野也是相当广阔的,其人物描写就我个人看,可代表中国农民形象的最为强烈最为鲜明的性格部分,就我的阅读视野,陕西作家获得茅盾文学奖的三部长篇小说,路遥《平凡的世界》,陈忠实的《白鹿原》,贾平凹的《秦腔》,其书写中国乡村变化的深度与广度 The first time I met Wang Meiying at the seminar “Fu Man Shan”, the novel was somewhat “born out of the word” because before that I was unfamiliar with Wang Meiying’s creation, Later learned that she wrote a lot, early there is a “little earth house”, as well as “winter sunshine”, “mountain family”, and published when she was in his early twenties, but I read little, ignorant . Fu Man Shan is the first one I read in Wang Meiying’s novels. The moving point of this novel lies in two points. I also expressed the same feeling at that seminar. First, the Shaanxi writer’s novel Is quite skillful, but also provides a broad field of vision, and his characters describe the most intense and vivid character that personally represents and represents the image of Chinese peasants. From my reading perspective, Shaanxi writers won the Mao Dun Literature Prize Three novels, Lu Yao’s “Ordinary World”, Chen Zhongshi’s “White Deer Plain” and Jia Pingwa’s “Qin Cavity”, the depth and breadth of his writing on Chinese rural areas