艾江南这一称谓的由来,大概跟何镇邦君有关,八十年代初的一次研讨会上,他侃侃而谈的发言中,即兴奉赠了作为研讨对象的艾煊先生这个雅号。这三个字一经脱口而出,座中就都笑开了,觉得这命名实在熨帖,也神韵得很。我读艾煊是很早的事,直觉上就感受一种江南秀士的气质,而且判断着这秀士恐怕不能离太湖过远。《碧螺春汛》一类散文,虽说着眼于很实的生活,艺术软体上还免不脱隐几处“时代”的“硬块”,可整体上能见真性情,某中漾乎其间的通脱和平静,逸美并雅趣,容易调动人的艺术记忆,比如连类到黄公望的《富春山居图》,那份翠微杳霭的江南风光,能够让 The origin of this title in Ai Jiangnan is probably related to Ho Jin Bangjun. At a seminar held in the early 1980s, he gave a commendable address to Mr. Ya, the object of study, during his talkative speech. Once the three words blurted out, they all laughed aloft and felt that the name was actually ironed and also very amusing. I read Ai 煊 is a very early thing, intuition to feel the temperament of a southern show, but also judge this show probably not too far away from Taihu Lake. Although the essays on “Biluochun Flood” focus on the very real life, the “soft lumps” of the “era” can not be ignored in the art software. As a whole, they can see the true temperament, And quiet, elegant and elegant, easy to mobilize people’s artistic memory, such as the class to Huang Gongwang’s “Fuchun Habitat map”, that Cuiwei misty Jiangnan scenery that allows