莫尔旺,勒贝斯克于1964年写道:“加缪去世了,我们只能进行假设:我冒昧地说,死神戕害的与其说是一位文学家,一位小说家,不如说是一位戏剧家”。加缪的文论、小说和戏剧无一不以荒诞、孤独、自由、死亡、正义、放纵与节制等为主题,其始终如一是罕见的。应该承认,自从加缪创作生涯伊始,对戏剧的兴趣便占居最重要的地位,这种地位一直 Morvoin, Lebesque wrote in 1964: “Camus has died, and we can only make assumptions: I venture to say that the death of God is not so much a writer, a novelist, as it is a Bit dramas ”. Camus’s literary theories, novels and dramas all have the same theme of absurdity, loneliness, freedom, death, justice, indulgence and temperance, which are rare and consistent. It should be acknowledged that Camus’s interest in theater has been the most important since the beginning of Camus’s career