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当代中国戏曲的路怎么走?众说纷纭。尤其是当中国的非物质文化遗产的概念深入人心的时候,对列入非遗名录的剧种来说更是有一种老虎屁股摸不得的感觉,以昆曲的表现尤甚,每次几出老戏的搬演,都成了个别戏迷的狂欢。似乎把昆曲近百年来灰头土脸的历史忘得一干二净,其实殷鉴未远。我们怎能把一些在强势保护下的虚假繁荣当成舞台上的真实呢?毋庸讳言,自从2001年昆曲被列入"人类口头及非物质文化遗产代
How to walk the contemporary Chinese opera? Especially when the concept of intangible cultural heritage in China enjoys popular support, there is even a feeling that tiger’s butts can not touch the non-heritage listed operas. In particular, the performances of Kunqu Opera are especially troublesome. The actresses, have become the carnival of individual fans. It seems that Kunqu has forgotten the history of the past few centuries of depravity, in fact, not far from Kam. How can we regard some false prosperity under strong protection as the real stage? Needless to say, since 2001, Kunqu Opera has been included in the Human Oral and Intangible Cultural Heritage