一、八十年代站在今天的位置,回首“第五代”在十年前的电影实验,我们仍然可以认定“第五代”的努力与探索是极富革命性的。他们首先将电影的功能从意识形态引向文化,激活并释放了电影自身的文化潜质,使电影成为在时空二维上都更具容纳性的文化“机制”,并同时使电影成为批判的话语形式。其次,由于“第五代”的惨淡经营,电影才在意义和话语形态上体现出鲜明的自律性,彻底颠覆了文学话语在电影叙事中的中心位置。洗刷了电 One and eighties stood today. Looking back on the movie experiment of “the fifth generation” ten years ago, we can still conclude that the efforts and exploration of “the fifth generation” are extremely revolutionary. They first lead the function of the film from ideology to culture, activating and releasing the cultural potential of the film itself, making the film a cultural “mechanism” more accommodating in both space and time and at the same time making the film a critical discourse form. Second, due to the dismal management of “the fifth generation”, the film embodies distinct self-discipline in its meaning and discourse form, completely overturning the central position of literary discourse in the film narrative. Scrub the electricity