论文部分内容阅读
研究界对清代满族文学以及现当代满族文学的研究已有诸多收获,却对清末民初亦即“辛亥革命”前后满族文学的展现情况不甚了了,以至让人时常感觉对满族文学的基本把握尚存明显“缺环”。从制度背景、口头传统、现实语境、题材主题、思想模式、写作笔法、美学风格各方面对清末民初的京旗小说作一概说,宏观地把握其整体风貌,则会拾遗补阙,填补满族文学史上的缺口。
There have been many achievements in the study of the Manchu literature in the Qing Dynasty and the modern Manchu literature, but there is not enough information on the Manchu literature before and after the “Revolution of 1911” at the end of the Qing Dynasty and the beginning of the Republic of China, so that people often feel uncomfortable about Manchu literature The basic grasp of the remaining obvious “missing ring.” From the aspects of system background, verbal tradition, realistic context, subject matter, ideological mode, style of writing and aesthetics, it generalizes the Beijing Flag novels in the late Qing Dynasty and the early Republican period. By grasping its overall style macroscopically, Fill gaps in the history of Manchu literature.