中国山水画在构图方面,善于将复杂的自然景物加以高度提炼和浓缩,化真境为画境。为了突出艺术形象的典型性,画山常常只取山之一角,写水常常只取水之一涯。因为所舍甚多,所取甚略,因而留下了大量的“空白”。马远的《寒江独钓图》,只有一叶扁舟荡于江上,一个渔翁独坐舟中,四周除了寥寥几笔微波,几乎全为空白,却渲染出江面上的 Chinese landscape painting in the composition, good at complex natural landscapes highly refined and concentrated, the real environment for the painting. In order to highlight the typical image of the art, painting Hill often only take the corner of the mountain, writing water often only take the water career. Because of a lot of homes, taken a very simple, thus leaving a lot of “blank.” Ma Yuan’s “fishing alone fishing map”, only a leaf boat swinging on the river, a fisherman sitting alone in the boat, surrounded by only a handful of microwaves, almost all blank, but rendered on the river