此画的婆萝树,以没骨与勾勒相结合画成。其叶几乎布满整个画面,上密下疏。这样,偏下方站立的黑白分明的印度八哥,就不会有头重脚轻之感,是一种巧妙的构图法。此图,为纵横形构图。紫藤花的老藤画得粗壮,具有浓淡枯湿之变化。其花为横向伸展,青蜡鸟停留于藤条的中间,秀丽潇洒。 The painting of the Po tree, no bone and sketched combined into. Its leaves almost covered the entire picture, densely sparse. In this way, the black and white Hindu elephants standing below each other will not have top-heavy feeling, which is a clever composition method. This figure, for the vertical and horizontal framing. Wisteria flowers old rattan painted thick, with the changes of dark and wet. The flower is stretched horizontally, green wax birds stay in the middle of the rattan, beautiful chic.