当代的中国油画发生了骤然的变化,在高速中激变。一种新的文化现象的产生,引人注目,令人惊叹。这一切都发生在黄山油画艺术讨论会之后的近一、两年的时间里。它不仅产生了当代油画的新面貌,同时也带来了许许多多的广泛而尖锐的问题,迫使人们进行深层的思考。在喜悦中又夹杂着几丝忧虑,在巨大的希望面前又漂过几片淡淡的茫然的云。今日油画已冲破往日的僵局,否定了大一统, Contemporary Chinese oil painting has undergone a sudden change, changing rapidly at high speed. The emergence of a new cultural phenomenon, striking, amazing. All this happened in Huangshan Oil Painting Art Seminar after nearly a year or two years time. It not only produced a new look of contemporary oil painting, but also brought a lot of broad and sharp problems, forcing people to think deeply. In the joy mixed with a few worries, in the face of great hope and blew a few piece of faint loss of clouds. Today’s oil painting has broken through the deadlock of the past, denied the unification,