本文是针对文学作品中人物结局定性问题的研究。笔者认为在定性文学作品中的人物的结局时应首先分析作品中体现出的思想,然后再以此为指导思想,具体分析和定性人物的结局。而以读者的感受和意愿或非本作品的指导思想作为依据定性人物结局则是不合乎道理的。本文以《竹取物语》的主人公辉夜姬为例,将对上述观点进行具体阐述。《竹取物语》诞生于日本的平安时代前期(10世纪初),被认为是开辟了新型文人文学创作的先河,在日本 This article is aimed at the qualitative study of the ending of characters in literary works. I believe that in the qualitative literature of the characters in the outcome of the first analysis should be reflected in the works of thought, and then as a guiding ideology, the specific analysis and character of the outcome. However, it is unjustifiable to rely on the readers’ feelings and wishes or the guiding ideology of non-works as the basis for the conclusion of qualitative persons. In this paper, Take the Story of Bamboo Tale of Monuments as an example, will elaborate on the above point of view. “Takenoku monogatari” was born in Japan’s early Heian period (early 10th century), is considered to be opened up a new type of literary creation of literary pioneer in Japan