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我一直不愿为自己的作品加以更多的文字阐述,我以为:作品会说话。不知从何时起,这些作品逐渐带有了更多的不确定性,不同的观者面对这些直观的影像,会根据自身经验得出不同的感受。这样,以影像为媒,观者和我就有了心灵的互动。至于把它们从形式上归类为主观摄影、电脑美术,亦或是跨媒体艺术等等都不是我所关心的。我惟一关注的是如何更好地借助摄影及数字技术等手段制造出超现实的画面,籍以达到内心的真实(虚假的影像体系和内心真实之间的矛盾纠葛也常令我着迷不已)。
I have always been reluctant to put more text to explain their works, I thought: works will speak. I do not know from time to time, these works gradually bring more uncertainty, different viewers in the face of these visual images, according to their own experience to come to different feelings. In this way, the image as a medium, the viewer and I have a spiritual interaction. It is not my concern to formally classify them as subjective photography, computer art, or cross-media art. My only concern is how to create surreal pictures through photographic and digital techniques and so on, so as to achieve the truth in my heart (I am often fascinated by the contradictory relationship between false video system and inner truth).