在研究中国戏剧史时,人们往往有这样的疑惑: 先秦时代,有所谓“衣冠优孟”的说法。优孟能够把孙叔敖的形象生动地再现在楚王面前,令他感动不已,可见演员的演技已相当成熟。但是,当我们后来看到有关优倡的记载,多半简略粗糙,似乎舞台表演不仅没有发展,而且倒退沉滞。此其一。 近年,许多学者注意研究“傩”的问题,取得了可喜的成绩。但是,这盛行于大江南北流 In the study of the history of Chinese drama, people often have such doubts: the pre-Qin era, the so-called “gifted Mencius” argument. You Meng can vividly reproduce the image of Sun Shu Ao in front of the king, so he was moved, we can see the actor’s acting has been quite mature. However, when we later read the records about the gifted initiatives, they were mostly rough and rough. It seems that the stage performances have not only failed to develop but also have been slowed down. One of these. In recent years, many scholars have paid attention to the problem of studying “傩” and have achieved gratifying results. However, this prevails in the north and south of the major rivers