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语言的可感性,是说语言应给人一种形象的立体感。清·袁枚说:“一切诗文,总须字立纸上,不可字卧纸上。人活则立,人死则卧,用笔亦然。”(《随园诗话·补遗》卷五第十七条)这说明诗歌要考究语言色彩的明暗,感触软硬以及声调的响亮与沉郁。于绘声绘色的语言描写之中,使读者如临其境’如闻其声,如见其人,如触其物。别林斯基说:“诗歌的本质在于使无形体的理念具有生动的感性的美的形象。”(朱光潜《西方美学史》下卷)为此,诗人必须“思接千载”、
The sensibility of language means that language should give people a three-dimensional image. Qing Yuan Mei said: “All poetry, the word must always be established on the paper, not lying on the paper. People living legislation, death is lying, with the pen is also true.” (“With the Garden of poetry Addendum” volume Fifth, Article 17) This shows that poetry should study the light and shade of the language, the feeling of softness and hardness, and the loudness and gloominess of tones. In the vivid description of the language, so that readers immersive ’as the sound heard, such as seeing others, such as touch its objects. Belinsky said: “The essence of poetry lies in the aesthetic image that makes the concept of animorphism vivid and sensual.” (Zhu Guangqian, The History of Western Aesthetics) Therefore, the poet must " ,