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20世纪40年代的英美反法西斯广播剧在审美上呈现了突出特征,具有重要的审美价值。这不仅体现在它审美上独特的形态特征,以及它的取材、主题和塑造了一批鲜明生动的艺术形象上,还体现在它独特的艺术形式与技巧上。本文从艺术技巧和文体形式入手对其审美特征进行了一些探讨,同时也涉及其题材、主题:一是双重叙事构成了40年代英语反法西斯广播剧的基本叙事形态,突破了自身因篇幅短小所导致的反映生活深广度的不足;二是场景描写非常出色,能够使听众获得身临其境的审美体验;三是注重声音的运用和音响效果的配置,打造了声音剧的文体特征;四是这种不拘一格的文体形式,反映了广播剧丰盈的艺术活性与丰富的审美价值。
The anti-fascist radio plays of the United States and the United States of the 1940s present the outstanding features in the aesthetic field and have important aesthetic value. This is not only reflected in its unique aesthetic features, its characteristics, its themes, and the vivid artistic image, but also in its unique artistic forms and techniques. This article from the artistic skills and style to start with some of its aesthetic characteristics of the probe, but also related to its themes, themes: First, the dual narrative constitutes the 40’s English anti-fascist radio drama basic narrative form, breaking its own due to the short length of the lead Reflect the lack of breadth of life; Second, the scene description is very good, enabling listeners to get immersive aesthetic experience; Third, pay attention to the use of sound and sound effects of the configuration, creating a stylistic features of the sound; Fourth, this The eclectic style of style reflects the rich artistic activity and abundant aesthetic value of radio drama.