不久前,陈培仲先生在《程砚秋与二十一世纪京剧之发展》文中谈到,“就目前京剧现状而言,与其急功近利地花费巨资去创编那种速朽的新戏,不如沉下心来,扎扎实实地整理加工那些基础不错的传统戏。”情真意切,发人深省。与此同时,在佛山举行的“当代戏剧之命运”研讨会的发言中也有 Not long ago, in his article “The Development of Cheng Yanqiu and the Development of Beijing Opera in the 21st Century,” Mr. Chen Peizhong said: "As far as the current situation of Peking Opera is concerned, rather than settling down on the fast-moving new drama with quick success, Organize and process well-established traditional plays with a down-to-earth attitude. At the same time, there was also a speech in the seminar on the fate of contemporary drama held in Foshan