戏曲剧团的体制改革已经进行三年多了,改革过程中的得失应加以研究。本文想从总结经验的角度,对戏曲表演团体的体制改革问题,发表几点浅见,以供戏曲界同仁探讨。一、必须采取高占祥同志提出的“微调”的方法(见高占祥同志在《人民日报》1985年12月2日发表的《谈谈文艺工作的“微调”艺术》),进行剧团体制改革。 The opera troupe’s institutional reform has been going on for more than three years, and the gains and losses in the reform process should be studied. This article wants to summarize the experience from the point of view, the institutional performance of the troupe’s performing arts groups, made a few humble opinions, for the discussion of my colleagues in the opera sector. First, we must adopt the method of “fine-tuning” proposed by Comrade Gao Zhanxiang (see Comrade Gao Zhanxiang’s Fine-tune Art on Talking about Literary Work published on People’s Daily on December 2, 1985) to carry out the reform of the theater system.