本文分析了战后日本存在主义文学家安部公房的代表作《砂女》。作者采用抽象的、寓意的、超现实的艺术手法,表现了在资本主义社会危机下,人在现代社会中存在的孤独感,陷入一种绝望的生活,以及人与人、人与社会之间相互联系又相互疏远的关系。通过寓言手法揭示了现代人为了逃避社会现实,寻找和创造一个新的存在空间的主题。 This article analyzes the post-war Japanese existentialist writer An Public Housing masterpiece “sand woman.” The author adopts the abstract, allegory and surrealistic art techniques to show the loneliness existing in modern society under the crisis of capitalist society and the desperate life trapped in a desperate life as well as between people, people and society Interrelated and mutually distant relations. Through allegorical tactics, the modern people are revealed to find and create a new theme of existence space in order to evade social reality.