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狂欢化叙事是众多研究者对网络文学特质的共识,然而,这一概括依然没有解决何以对网络文学迷醉之者众的问题。在网络文学作品中有很多物恋性的标签,这些标签成为主体的匮乏和认同的征兆。网络文学作者忧伤而愤慨的叙述将冷漠的符号秩序作为罔顾个体内在感知的恶的买单者剥离了出来,从而凸显了在今天分工越来越细密的氛围中,主体以何为自己立身安心之本的焦虑。这应该可以作为网络文学得以广泛传播的一个非常重要的根由。
Carnival narrative is the consensus of many researchers on the characteristics of online literature. However, this generalization still does not solve the problem of why it is so fascinated by online literature. There are many romantic tags in online literary works, these labels become the main symptom of lacking and identity. The sad and indignant narratives of internet literary writers peeled off the indifferent symbolic order as a buyer of evil disregarding the inner perception of the individual, thus highlighting the subject’s own ease of self-reliance in today’s increasingly subtle atmosphere of division of labor Anxiety. This should be a very important root cause for the wide spread of online literature.