中国古诗歌无论是语言、意象还是意境都充满了模糊性,如何把这种表达含蓄、旨在言外的艺术效果在翻译作品中体现出来是历来翻译工作者所探索和研究的一大课题,在此把美学的留白策略运用于探索诗歌的翻译,以期对中国古诗英译有所帮助。 Chinese ancient poetry, whether it is language, imagery or mood, is full of ambiguity. How to express this kind of expression in an impromptu way is an important task explored and researched by translators in the translation works. Here we apply the aesthetics of the blank strategy to explore the translation of poetry, with a view to Chinese translation of ancient poetry helpful.