程朱理学的盛行,导致了明清两代对女性地位前所未有的压迫。但是即使是在这样的社会大背景下,也存在着一些相对而言为妇女申辩的文学作品。其中,“三言”“二拍”为代表的一系列短篇小说成就尤其突出。由于“三言”“二拍”中有着大量勇于冲破封建制度的牢笼,敢于追求爱情的女子,因此在女性主义文学史上也有着重要的参考价值。该文运用女性主义文学批评的观点,从婚前、婚内、婚后三个方面,着重探明“三言”“二拍”中蕴含的女性主义表现。 The prevalence of Cheng-Zhu Neo-Confucianism led to unprecedented oppression of the status of women in Ming and Qing dynasties. But even in such a social context, there are literary works that are relatively defiant of women. Among them, the success of a series of short stories represented by “three words ” “two beats ” is particularly prominent. Since there are a large number of women who have the courage to break the feudal system and dare to pursue love in “Three Words” “Two Beats ”, they also have an important reference value in the history of feminism literature. This article uses the feminist literary criticism point of view, from the premarital, marital and post-marriage three aspects, focusing on proven “three words” “two beat ” contains the feminist expression.