眼前这张长年悬挂在中国军事博物馆的照片——《切断敌人的供给线》(见本期中心插页),是1944年我在日本侵略者的炮弹射程之内,夜间采用镁光拍摄的。老百姓叫它“铁路大翻身”,摄影家说它是“文献性”作品,我说它是“碰上的镜头”。这幅作品先后被选入《革命战争摄影作品选集》、《人民战争必胜》和《难忘瞬间》等大型影集,并多次走向世界,参加大型的出国图片展览。 那是当年的一个夏夜。我作为敌后晋察冀军区第二军分区的摄影工作者,跟随一个团的部队,向敌占区山西省忻州南边的铁路沿线进发。这次军事行动的任务是破坏敌人的供应线,扩大解放区,解救沦于日本侵略军铁蹄下的人民。 为了防止事先被敌人发现我们的行动,部队和民工都夜行日宿。那次连续两个夏夜的行军,非常紧张而神秘。部队行 This picture, now hanging for many years in the Chinese military museum, “Cut off the Supply Line of the Enemy” (see the center insert at this moment) was shot in 1944 at the gunfire range of the Japanese aggressors in the night, using magnesium light. The people called it “a big turnaround in the railway industry.” Photographers said it was a “documentary” work, and I said it was “a hit lens.” The work has been selected into “Selected Works of Revolutionary War Photography”, “The People’s War Winning” and “Unforgettable Moment” and other large-scale albums, and many times to the world, to participate in large-scale photo exhibition abroad. That was a summer night. As a photographer in the Second Army Division of the Jinchaji-Hebei Military Region behind enemy lines, I proceeded along the railway line to the south of Xinzhou in Shanxi Province, following the army of a regiment. The task of this military operation is to destroy the enemy’s supply line, expand the liberated areas and rescue the people who have fallen under the iron hand of the Japanese aggressor forces. In order to prevent the enemy from discovering our actions in advance, troops and migrant workers go night-to-day. That two consecutive summer march, very nervous and mysterious. Army line