在生存物质极度稀缺的苍茫海面,面对同样自身难保的“难友”兼对手,社会道德与宗教束缚在这里能产生多大的影响,是否能够经受住迫切生存的挑战?美国家庭主妇夏洛特·罗根精心打造的处女作《救生艇》更似一次集体的道德审判。或许生存与道德的较量不仅限于那一番孤舟,只因我们都在海上。 In the vast sea of ​​extremely scarce living material in the face of the same self-perpetuate “hard-friend ” and opponents, social moral and religious constraints can have much influence here, whether to withstand the challenge of pressing survival? American housewife Charlotte Travolta’s elaborate debut “Lifeboat” is more a collective moral trial. Perhaps the contest between survival and morality is not limited to that lonely boat, because we are all at sea.